Oliver Franklin Anderson Presents The Night Country: Stories of Sleep Paralysis

Oliver Franklin Anderson is a local Los Angeles filmmaker and purveyor of digitized motion. Oliver's last film, Hollow, earned himself entry into notable film festivals, such as the Slamdance Film Festival, and additional accolades.

Oliver's latest project consists of a web based collective of horror shorts titled The Night Country: Stories of Sleep Paralysis. The series as a whole is inspired by hallucinations experienced during sleep paralysis. In Oliver's words: "While The Night Country is a series as a whole, the individual episodes are designed to stand alone as highly unique, short horror films". Additionally, he describes sleep paralysis as, "a glitch in the natural flow between sleep stages, causing dreams to blur into reality. Sleep paralysis is never a pleasant experience, causing terror in those experiencing it and vividly unsettling, if not terrifying hallucinations."

The first film in the series is named A Study In Blue and debuts Shelby Slayton as the actress. Shelby Slayton happens to be one of the "Slay" elements in Slayzinger Creative.  Along with Oliver Franklin Anderson directing, the creative team consists of Robert Allaire composing music and Frank L. Anderson as sound designer. The film consists of the creative nature inspired eeriness and dark, high contrast filtering that is synonymous with Oliver's film styling.  Below is A Study In Blue.

In order to create and produce the subsequent episodes of the The Night Country series, Oliver has put together a Kickstarter campaign for funding assistance. Consider donating to the production of a visually stunning and truly unique web series.

The 1933 Group Presents a Repeal Day Celebration

December 5th, 1933 was a great day in American history. This juncture, happily signed by Franklin D. Roosevelt, marked the passage of the Twenty-first Amendment to the US Constitution. The result was the repeal of the Eighteenth Amendment and the end of the failed political experiment of American Prohibition.

To celebrate this historical moment, the 1933 Group of bars (the name makes a little more sense now) is offering libations for fifty cents on December 5th, 2012 to symbolize the death of Prohibition. From the log cabin habitat of the Bigfoot Lodge to the old-timey southern milieu of Sassafras, the watering holes in the 1933 Group offer unique themes and cocktail selections. The saloons are scattered all across Los Angeles from Highland Park to Silverlake to Culver City and all are offering the promotion.

Kickstarter for Grow Shelter Dos: Navajo Artist Retreat

Taka Sarui of XLXS and Artist Thomas Isaac

Artist friend and creative collaborator, Thomas Isaac is the focal point of an architectural themed Kickstarter campaign. The project is being hosted by the brooklyn-based design and architecture firm XLXS.

XLXS and Isaac's goal is to construct an earth shelter into the natural landscape of a one-acre plot of land within the Navajo Nation. The location will be in Shonto, Arizona and the objective of the symbiotic framework is to create a retreat for local and visiting artists to gather and collaborate on creative endeavors. 

Based on his Navajo background and artistic vision, Isaac has laid out the following design guidelines for the project:

• The structure should enable artists to work outside in the open air in the breath-taking landscape, while providing protection from the harsh sun and strong desert winds.

• The Navajo custom of gathering around the fire and sharing ancestral stories at night should be incorporated as an important component of the design.

• Most importantly, the shelter should be as sustainable as possible and be a home for the local plants and animals as well as human visitors.

Section of Navajo Artist Retreat Concept

 

XLXS already has experience with this type of dwelling with their recent eco-shelter nestled into the Natural Reserve in Philadelphia, Pennsylvania. The domicile's goal is to have as little impact on its surrounding environment as possible, as well as to adapt and respond to the various seasons.

Below is the Kickstarter video for the proposed Navajo Artist Retreat that outlines the philosophy behind the project and the forward thinking construction methods that will be used to construct it. Visit the Kickstarter page here and consider donating to supporting this incredible proposal.

Chris Northrop and The Truth About Dragons

Chris Northrop is a professional comic book artist and writer living in Los Angeles. Originally, he is from New York. Chris currently has an original graphic novel at Archaia Entertainment titled The Truth About Dragons. Additionally, he works for the color and painting design firm Hi/Fi on DC Comics, freelances for Marvel, and has worked at both Nicktoons and Warner Brothers as a story and background artist. Chris was kind enough to answer a few questions about himself, his career, and the comic book industry. The interview is a hybrid consisting of some questions and answers transcribed into text and some questions being answered through video clips.


TNC: How did you get your start in the comic book industry?

Chris: While I was studying creative writing in college on the East Coast, I worked at Nicktoons in NY at this small studio called The Animation Collective. I got in on a blind submission as a background painter. Then I moved into being a story artist. Then, I was hanging out in writing meetings using my writing degree. It was so fast. I was pretty surprised. I would finish my classes then go work on Nickelodeon cartoons. Most of my friends would go out and hit bars, but that never really was my thing. And since I had this really neat opportunity I milked it for all it was worth. I'd stay after work there for hours practicing on the wacom tablets. Then go hang out in museums and sketch. 

I got laid off one day about 2 months in, and I was crushed. I literally bought my ticket the night before I decided to fly to California to go look for work. It was scary but it paid off. I met Sean Murphy who was working on DC books at the time. He was proof to me that you could work as a freelance artist in comic books and make it work. We were the same age and kinda cut from the same cloth, so we became friends. We would talk about story, character arcs, and art for hours in his apartment at the drafting table. That's when I knew comic books and graphic novels were what I was going to focus on. I started going to conventions with these big portfolios. Eventually, I started working as a digital painter and colorist on DC books after talking with enough editors and design firms. That was already 4 years ago. Now I have the opportunity to make my own book with Archaia with my friend Jeff Stokely and I'm thrilled.

 

TNC: Why do you like comics?

Chris: If I happened to have an interest in making films or plays, I would have done those vocations for the same reason. I like story. I like lining up all these pieces and conveying a narrative. It's fascinating. I just happened to be better at piping it through comics. Comics are this magical middle ground between films and books, and yet their own thing entirely at the same time.

I also really like the industry. It's so small. It's ridiculous how small it is. Everyone knows everyone. And for such a small industry, it varies tremendously artistically. When I got to be around 20 years old, I started reading a lot of different books. I had mainly been exposed to stuff like The Amazing Spider-Man. I love that book. But I started to realize I liked reading about Peter Parker more than I liked the superhero aspect. I love fantasy. But, I liked reading about personal difficulties and really basic human relationship problems even more. And now most of the stuff I work on is about those things.

 

TNC: What are your thoughts on digital comics?

Chris: Look, digital is a form of distribution. It's a great form of distribution. I've seen Justice League on an iPad and it looks gorgeous. It looks the same way it looks on my workstation when I work on it. It's the way things are going. What I hear from local retailers is that consumers only buy hardcovers nowadays anyhow and collected editions for the most part. People want a complete story to read, and now they have access to collected stuff at their fingertips. So digital is awesome for that. But I still love holding a book with pages and pulling it up to my face. I love looking at the line work and wondering how the artist used the brush to create it. I personally wouldn't give up the tactile paper experience ever.


TNC: What do you think about DC Comics rebooting their classic characters?

 

TNC: Can you talk about your current project?

 

The Truth About Dragons is created by and written by Chris Northrop, penciled by Jeff Stokely, and colored/painted by Chris Northrop. It is in production on their drafting tables and tablets, and set to be published in 2013 with Archaia. Below are a few sample images related to the upcoming book.

 

YOUNG WENDELL CONCEPT, TRUTH ABOUT DRAGONS - Jeff Stokely (pencils) Chris Northrop (colors) 

Page 3, TRUTH ABOUT DRAGONS - Jeff Stokely, (pencils/color) Chris Northrop (colors)

All characters copyright 2011 Chris Northrop

Shepard Fairey and the Occupy Movement

Recently, Obey Giant front man Shepard Fairey created a graphic in support of the Occupy movement. This graphic and his initial design description sparked a dialogue between Shepard and a representative from the Occupy movement. Subsequently, Shepard revised his original design. Below is a transcription of the dialogue and both versions of the poster design:

 

Original Design Description:

This image represents my support for the Occupy movement, a grassroots movement spawned to stand up against corruption, imbalance of power, and failure of our democracy to represent and help average Americans. On the other hand, as flawed as the system is, I see Obama as a potential ally of the Occupy movement if the energy of the movement is perceived as constructive, not destructive. I still see Obama as the closest thing to “a man on the inside” that we have presently. Obviously, just voting is not enough. We need to use all of our tools to help us achieve our goals and ideals. However, I think idealism and realism need to exist hand in hand. Change is not about one election, one rally, one leader, it is about a constant dedication to progress and a constant push in the right direction. Let’s be the people doing the right thing as outsiders and simultaneously push the insiders to do the right thing for the people. I’m still trying to work out copyright issues I may face with this image, but feel free to share it and stay tuned…

-Shepard Fairey

 

Original Design: V1

 

Response from the Occupy Movement:

Shepard,

The design is brilliant and powerful on many levels. I’m sure many people will love it. I don’t know if you know the history and evolution of the OWS 99% movement, but a core subgroup within Anonymous played a significant role, so to see that you used the V mask is very fitting. That being said, if it is not too late, we would like to make suggestions that we believe will make the design much more broadly accepted within the movement. You’re the artistic genius, so take what we say for whatever it’s worth to you.

Unfortunately, as it stands now, I myself and several other organizers cannot in any way be connected to this design. The 99% movement is wholly non-partisan and we have been repeatedly attacked as being a front for Obama’s 2012 re-election campaign. Our movement is about uniting people, from all different walks of life and all different political viewpoints, against the global financial elite who have bought control of our government through campaign finance, lobbying and the revolving door.

As Obama has raised more money from Wall Street than any other candidate in history, it would make us naive hypocrites to support him under present circumstances. I have written many investigative reports on our economic crisis, I know the situation very well from a policy perspective. All hope was lost with Obama as soon as he picked Tim Geithner as his Treasury Secretary. He also made Larry Summers his lead economic advisor and Bill Daley his Chief of Staff. He even supported the reconfirmation of the Bush-chosen Fed chairman Ben Bernanke. You cannot have a worse group of people when it comes to the economic destruction of the US. Geithner, Summers and Bernanke have made a career out of exploiting the 99%.

Some of us are of the opinion that Romney would be worse than Obama on some issues and many OWS supporters may end up voting for Obama over Romney. However, this movement is about empowering people to take actions themselves to fight for the structural change we urgently need. To reduce us to an Obama re-election campaign will not help anyone. Our political system is corrupt and broken. As naive as it may sound, we have to stop looking to leaders and we must be the change.

When you say that you “see Obama as a potential ally of the Occupy movement if the energy of the movement is perceived as constructive, not destructive.” That is a highly offensive and disrespectful comment. Everything we do is designed to be constructive. In the face of repeated police brutality, we have remained non-violent. We use the money that has been donated to us to feed people at our camps that don’t get food otherwise. We have medical professionals and psychologists who help people who can’t afford care. We had drug addicts directed to our camps by the police in attempts to make us look bad, and we have professional councilors treating them if they need or want help. We have put our bodies on the line in a peaceful non-violent manner so we can give voice to the voiceless. Our camps have become a place where people can air their grievances and engage in dialogue to find constructive ways out of the dire situation they are in. Of course the Fox News type outlets are going to work to create a false impression, but why would you feed into their propaganda framing?

As for the design, the fact that you put the 99% inside the Obama O is crossing a sacred line. While it definitely looks cool, whether intended or not, this sends a clear message that Obama is co-opting OWS. Just the fact that you are the person creating the design and using your iconic red, white and blue gives the Obama connection more than enough room to make your pro-Obama statement. Without the 99% being in his O, it would be a fair balance of interests, in my opinion. With the 99% being in his O, this sends a clear message that Obama is attempting to co-opt OWS and creates serious problems for the movement.

Also, given the fact that Obama’s HOPE is written out just as it was last time, it is again excessive and in my opinion weak to pleadingly address the president as hoping he is on our side. If you want to win over the movement in a genuine way, I would suggest saying something like “We Are Hope” and then underneath the word “Hope” you can really get some street cred by writing, “Expect Us.”

Obviously, this is your design and powerful statement, and you are brilliant in conveying your message. I’m sure you will find a large audience that will love it. Given my admiration and respect for you as an artist, I am conflicted in the fact that I cannot support or endorse this as it currently is. Depending on the intensity of the backlash that the movement endures in response to it, I sincerely hope that we can find ways to work together moving forward. I will do my best not to publicly comment on it and will work to advise other organizers to not speak out against it. Sorry for having to write these things, my every move has been under intense scrutiny. At the end of the day, I have great respect for you and your art.

 

Revised Design: V2

 

Shepard’s response:

I get everything you are saying. I don’t agree with all of it, but I appreciate it. I get that the Occupy movement is non-partisan. I see a conflict for you and the movement there. However, my poster is not in any way a re-elect Obama poster. I have zero contact with the Obama campaign. I am disappointed with many aspects of Obama’s presidency and I am far from an unconditional Obama supporter. The round logo I made is not Obama’s O logo. His O uses curved stripes and a white sun. The stripes in my 99% logo are straight. I saw my 99% logo as subverting his logo more than amplifying it. I wanted a patriotic frame for the 99% logo to assert that the Occupy movement IS patriotic. The use of the word HOPE is more saying that Occupy is the greatest Hope we now have, but it would be great if Occupy pushed Obama in the right direction. You may find any appeal to Obama to support Occupy as unrealistic, but I have always believed in working EVERY angle. I’ve called it the “inside/outside strategy” for many years. Outsider activism is where I come from, but outsider elitism is incredibly unhealthy because it excludes moderates.

I have no interest in pandering to Obama. I see my image as a reminder to him that he has alienated his populist progressive supporters. If the threat of not being re-elected pushes Obama to do more to reform Wall St. etc… then I’m all for that! I’m also terrified of a Republican taking office. I voted for Nader in 2000 and if people like me won Bush that election I’ll regret that forever. I did not make the Occupy HOPE image to become THE image for Occupy. I believe very strongly in the Occupy movement, but I’m looking more at the politics of the entire nation than the politics within Occupy. I’m sure I may not be extreme enough for some people. When I said “if the movement is perceived as constructive, not destructive” I mean exactly that… PERCEIVED. I am trying to be realistic, not offensive. I have written that the movement is intelligent, civilized, peaceful, and tolerant in stark contrast to the Tea Party, but I have also been to Occupy LA and NY and seen and heard some views that I think undermine the movement’s potential to resonate. Some of the loudest people are putting across anti-capitalist, anti-government messages. I have plenty of issues with capitalist greed and our government’s policies, but constructive phrasing about reform is essential. I’m not feeding into Fox’s framing, I’ve witnessed this myself. I’m all for freedom of speech, but I desperately want the movement to succeed!

Most of the rhetoric is not too radical for me, but I’m well aware that much of the country is scared and cautious. I know that you and the organizers are very intelligent, dedicated, and engaged. I meant no disrespect to 98% of the 99%. I’m incredibly frustrated too, but evolution, much less “revolution”, scares most people. I want progress to be made! I made a series of images calling out villains and issues (I actually made these several months before Occupy started): http://obeygiant.com/support-the-occupy-movement-free-downloads I donate money and art to rootstrikers.org. I want campaign finance reform ASAP. We may disagree on some things. I want to support Occupy as much as I can without undermining its potential to move things in the right direction. I have tons of issues with the two-party system, but I don’t see it being dismantled any time soon. I want reform to happen and I’m trying to look at realistic routes to ideal outcomes. I’m very open to hearing suggestions from you, and I’d also be into sharing this dialogue publicly if you are open to that. I think it could be valuable to people to hear a thoughtful discussion of these issues. Let me know.

-Shepard

Library of Congress' WPA Poster Archive 2

 

Earlier on I did a posting displaying a few of the items in the Library of Congress' WPA poster archives (they have made these posters images public record). These recent times of discontent, anger towards the establishment, and the horrifying unemployment rate made me think back to the depression era and the public works projects created by the government through the New Deal. This is an example of an iconic time period of American History that is not wildly far off from what is going on now.

The WPA stands for the Works Progress Administration and created almost eight million jobs between the years of 1935 and 1943. A great deal of the jobs established for the WPA (along side the ones that were aimed towards improving the country's infrastructure) were related to the arts, drama, and literacy. These programs birthed an immense amount of awesomely designed poster art that became very important to the history of graphic design. Although mostly due to printing constraints of the time, these minimal and powerful layouts get the message across in a simple way without being cluttered or unnecessary. These compositions are widely used for design inspiration purposes in current times.

I understand that there are current programs along these lines, but perhaps more aggressive Works Progress Administration programs like these from the past could help the people of today and spread creativity. Displayed are a few more examples of the WPA posters.

 

THIS Gallery Hosts Peter Bjorn & John Art Show

 

THIS Los Angeles gallery, the Highland Park art space that brought us the Judgement Night Show, is hosting an exhibition featuring artwork by Jonas Torvestig. The event is brought to us by, and is featuring a DJ set from, Peter Bjorn and John. It is a celebration of Jonas Torvestig's collaboration with Peter Bjorn and John on the design of their newest album's cover art.

The opening reception and DJ exhibition will be held on Thursday, September 29th from 7PM - 11PM featuring complimentary PBR!

Documenting Cult Film Moments with Animated GIFs

The GIF, first created in the static format by CompuServe in 1987, emerged into animated prevalence in the ninetys with the introduction of Netscape Navigator 2.0 (remember the logo with the shooting stars). 

Recently, animated GIFs have been making a comeback in the form of cinemagraphs (still images with a minor animated element to create a dramatic effect). One cinemagraph artist, Gustaf Mantel, uses animated GIFs to capture epic film moments from directors such as Stanley Kubrick, David Lynch, The Coen Brothes, Fritz Lang, Danny Boyle, Wes Anderson, Quentin Tarantino, and Roman Polanski (to name a few). I was first introduced to this concept by Fast Co Design. Take a look at a few of my cult favorites.


Blue Velvet

Fargo

Fear and Loathing in Las Vegas

Lost Highway

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

The Big Lebowski

The Royal Tenenbaums

The Party

No Country for Old Men

Eraserhead

Pulp Fiction

Twin Peaks: Fire Walk with Me

Trainspotting

Metropolis

Ghostworld

Rushmore

Fahrenheit 451

Blade Runner

The Life Aquatic with Steve Zissou

Rosemary's Baby

A Clockwork Orange

Thomas Isaac's Hollywood Hobo Painting

 

Thomas Isaac is a local Los Angeles painter, friend, and fellow adventurer. He has completed his latest painting titled "hollywood-hobo wearing a thong, true-story-no-lie-ask-GINA". The piece measures 5 feet by 3 feet and Isaac describes it as an acrylic mess. The painting is inspired by the type of characters one can regularly observe on the streets of Hollywood. As a previous Hollywood resident, this painting makes total sense to me.

If you enjoy this piece, take a look at Isaac's website for more work samples and contact him for more details.

Art in the Streets Exhibit at the Los Angeles MOCA

This weekend I attended the Art in the Streets museum exhibition at the Geffen Contemporary at the MOCA in downtown Los Angeles. It was written that this was the very first major US museum display of street art and graffiti art. The obvious problem with that statement is the fact that the idea of a street art exhibition inside the whitewashed walls of a sanctioned museum is somewhat of an oxymoron. Although the display was vast and educational on the motif of graffiti and street art (and I am a fan of several of the artists), I feel like the whole thing sort of cheapened the essense of the anarchist graffiti artist. I don't think the founders and originators of the movement would have ever imagined such a spectacle. At the end of the exhibit, the old fat white security guard making sure the line to the gift shop didn't get disorderly was the metaphorical nail in the coffin for the street art movement.

Anyway, I put together a collage of my walk through the exhibit:


Gallery 1988's Wet Hot American Summer Venice Show

A little over a week ago, the Venice Beach chapter of Gallery 1988 held an opening for their current Wet Hot American Summer themed show. The show is called Camp Firewood, the name of the camp in the movie, and will be displayed until June 29th. The director of the movie, David Wain, hosted the event. Cast member of fellow The State comrade to David Wain, Jo Lo Truglio, was in attendance as well. I had the great honor of briefly chatting and snapping pictures with both of them.

The featured art came in various media from oil painting to screen prints to sculptures. Take a look.


Denzinger Design ad on Kevin Smith's Smodcast Internet Radio

Kevin Smith, writer/director turned podcasting internet personality, recently launched his own internet based radio network called SIR (Smodcast Internet Radio). The architect of the cult films Clerks, Mallrats, Chasing Amy, Dogma, and Zach and Miri Make a Porno; my personal Kevin Smith favorites; started the original Smodcast podcast several years ago with his film producer Scott Mosier. Because of the Smodcast's success, Kevin added several more podcasts to his empire, most notably Jay and Silent Bob Get Old with Kevin's Jay to his Silent Bob (Jason Mewes) co-hosting.

In May of 2011, Kevin Smith segwayed his efficacious podcasting into opening the 24 hour a day online stream for SIR. To celebrate the launch of SIR, the neophyte network was offering two minute live reads on one of their new shows for an incredible introductory price.

I took advantage of this opportunity and a Denzinger Design ad was read on Friday morning, May 27th. The ad aired during the show Plus One Per Diem and was read by Kevin Smith and his wife, Jennifer Schwalbach. The episode containing the ad can be downloaded on iTunes and streamed from the Plus One Per Diem website. Below is the sound bite for the ad. Have a listen.

 

DenzingerDesign SIR Ad by Denzinger Design

Wet Hot American Gothic Opening @ Gallery 1988 Venice

 

Gallery 1988 is a primarily eighties themed, pop culture driven, contemporary art gallery with spaces in Hollywood and Venice Beach California. A small sampling of illustrations displayed in 1988's shows are depiction's of deranged Alice in Wonderland characters, Doc Brown, Jay and Silent Bob, Skeletor, Milton & Mr. Lumbergh, the Mario Kart players, and original TRON characters and light bikes (just to name a few).

Perfectly aligning with this nostalgic trend of cult status pop culture motifs, the Venice Beach location of Gallery 1988 is hosting a Wet Hot American Summer art show. This event glorifies the 10th anniversary of the underground comedy written, directed, and starring several alums of MTV's 90s sketch comedy classic The State. The most notable individuals involved in Wet Hot American Summer, the trio that went on to form Stella, are Michael Ian Black, Michael Showalter, and David Wain.

The event features Wet Hot American Summer themed art from over 65 artists and the opening reception is Friday, June 10th from 7-10PM. The location of the newest Venice arm of Gallery 1988 is 214 Pier Avenue, Santa Monica, CA 90405. I fully plan on attending this opening so stay tuned for images.

 

Now that the Smoke has Cleared: Judgement Day Art

Since the dawn of man, we have used the tools in our environment to depict images of the Gods believed to have created us and renderings of some sort of afterlife. The Last Judgement by Hans Memling, created during the 15th century, is a classical example of a painting portraying the Christian's end of the world belief in the rapture. 

In modern times, Harold Camping falsely predicted that the rapture would transpire on May 21st of this year. This marked his third wrong prediction (according to wikipedia). As stated before, THIS gallery, located in the Highland Park neighborhood of Los Angeles, celebrated "Judgement Night" on the night of May 20th with a one night art show. I had the opportunity to attend the event.

I would have to describe the motif of the show as a guide to post-apocalyptic survival. The first things visible in the gallery were haunting ski masks and nail-ridden baseball bats. The harshness of the Mad Max-esq baseball bat weapons were contrasted with images of colorful butterflies. The back wall of the gallery featured more zombie killing, end of time era weapons constructed of twisted metal, broken glass, rusted steel, and splintered wood.

 

 

The armageddon themed event also contained a wall of mostly geometric, grey scale artwork. A few of these pieces seemed to have slightly ambiguous cosmic undertones to keep with the tone of the night.

 

 

The final region of the show incorporated a fantastic collage containing images of the occult, S&M, voodoo, and a lone picture of Johnny Cash.

 

 

THIS gallery had recently been invaded by the French street artist Invader with a red, white and blue mosaic piece.

 

 

Lastly, the event was scored with two turntables by the awesomely eccentric punk rock icon Keith Morris. Keith is the original lead singer and founding member of Black Flag before Henry Rollins took the reins. He also leads the rowdy and raucous punk bands the Circle Jerks and, most recently, OFF!

I was slightly too awkward to snap a picture of Keith DJing so I'm going to impart his presence with YouTube videos. Below are two of OFF!'s official music videos released for their first album. The second video was filmed in a downtown Los Angeles warehouse/arts complex that hosted one of the best art shows that I have been to on the west coast. Another event that Keith Morris provided the sounds for.

 

 

Even though the "Judgement Day" weekend proved to be the uneventful psychobabble of an elderly religious weirdo, THIS Gallery embraced the opportunity to put on a hell of a party and art show. Also, the event provided excellent inspiration for home made weapons to use during the zombie apocalypse. 

Judgement Night Show

 

All over Los Angeles there are billboards with Family Radio Worldwide claiming that the end of the world is Saturday, May 21st. There is a great deal of brouhaha about this all over the internet as well.

To honor this, THIS gallery in Highland Park is doing a one night show. The show is Friday, May 20th (the night before the big day!) from 7-10PM. It features Keith Morris; the original lead singer of Black Flag, Circle Jerks front man and OFF! lead singer. Check it out.

THIS los angeles; 5906 North Figueroa Street; Los Angeles, CA 90042

Art in the Streets @ MOCA

 

The Geffen Contemporary at MOCA in downtown Los Angeles is featuring the first major US museum exhibition of street art and graffiti art. The show is called Art in the Streets and focuses on the evolution of graffiti and street art from the 1970s to what it is today. Although paintings, mixed media sculptures, and interactive installations are featured from 50 well known street artists from New York, Los Angeles, London, San Francisco, and Sao Paulo; the main focus of the show is the role Los Angeles plays in the movement.

Most notably, a special section of the show is dedicated to the art related to the locals only Dogtown skate and surf movement out of Venice Beach and Santa Monica.

Art in the Streets runs from 04.17.11 until 08.08.11 and is located here.

Referenced from: OBEY

The Album Cover Art of Shepard Fairey Opening

 

Over the years, Shepard Fairey has been involved with the design of a wide variety of album cover art. Additionally, the Obey frontman often uses music as a theme for his artwork. To celebrate all of this, the Robert Berman Gallery in Santa Monica is currently featuring a show called Revolutions - The Album Cover Art of Shepard Fairey.

The show opening was March 12th, and I had the chance to attend. The focal point of the show was a large cluster of small framed screen prints, featuring the album covers Shepard created, on the back wall of the gallery. The show also boasted DJ sets by Dan the Automator and Shepard Fairey himself. The show runs until April 23rd and below are a few pictures from the event.

 

Street Art Pop Up Shop Opening

 

Echo Park is the new home to the Street Art Pop Up Store in Los Angeles. The store aims to combine a gallery space featuring street artist work with a storefront containing painting supplies, collectibles, posters, and apparel. The shop is located on Sunset Boulevard next to the Short Stop.

This street art headquarters had its opening event on March 4th. I discovered the event listing on Shepard Fairey's website. The intimate space received an excellent turnout with an eclectic mix of people. The show featured work from, and the gallery will continue to feature work from, several respected street artists such as Shepard Fairey, Bigfoot, D*Face, Dick Chicken, Ron English, Homo Riot, Philip Lumbang, Skullphone, Sweet Toof, Underwater Pirates, Eyesore, London Police, and Vampires One Day (to name a few).

Below are a few photos from the event.

 

 

The address of the shop is 1461 1/2 West Sunset Boulevard, Los Angeles, CA 90026 and is open from noon to 7pm daily. Check it out.

Banksy in Los Angeles

Banksy is the notorious and unidentified British street artist that created the recent film Exit Through the Gift Shop. Arguably, Banksy is most notable for risking his life to tag the Palestinian side of Israel's West Bank barrier.

Exit Through the Gift Shop has been nominated for an Academy Award and because his identity is hidden, he cannot use conventional methods to promote himself. Instead, he has created a graffiti campaign throughout the city of Los Angeles for this weekend's Academy Awards.

I noticed one of these recent pieces on my way home from work. It is located on Washington Street just south of downtown Los Angeles near the warehouse district. The piece seems to be a commentary on the housing crisis and the massive amount of foreclosures that have occurred and continue to transpire. It depicts a house drawn in crayon by a little girl being boarded up. I snapped the pictures below of the piece.