Electronics and Vegas: CES 2012

This year I had the opportunity to attend the 2012 Consumer Electronics Show (CES) in Las Vegas, Nevada. I developed a line of neoprene bags for my company (under the name Solaire) and they set up a booth for the show. I visited the show with friends from The Academy in Long Beach and my neighbor Chris, the comic book illustrator.

The Las Vegas Convention center was a spectacle inundated with massive TVs, 3D scanners, touch screens, phones, and tablets. CES was a display of companies, large and small, fighting to be on the forefront of new technology, with many others following suit and picking up the scraps. A few highlights include Sony's 3D TV without glasses, Samsung's phone/tablet hybrid: the Galaxy Note, Microsoft's large format infrared camera touch display (instead of capacitance touch), and Leonardo's Mouse vs Bird 3D renderer.

Below is a sampling of what CES had to offer.


Chris' Android Dance from The NEXT Collective on Vimeo.

Oliver Franklin Anderson: Hollow and the Slamdance Film Festival


 

Oliver Franklin Anderson is a local Los Angeles filmmaker. Originating from Appleton Wisconsin, Oliver graduated from the Experimental Animation program at the California Institute of the Arts (CalArts). His film, Hollow, has recently been accepted into the 2012 Slamdance Film Festival in Park City, Utah. Hollow is a cerebral experience with an ominous undertone that embraces viewer intrigue and wonder throughout its duration. Take a look at my interview with Oliver coupled with stills and the film Hollow.

 

 

TNC: What influences drew you to study Experimental Animation and what are your goals with it?

Oliver: The Experimental Animation Program at CalArts gives you freedom to work in any medium, you can do everything from live action film to writing interactive programs for gallery installations. I don't like being restrained by medium, my thinking is that whatever works for the project I'm working on works, so the program was a perfect fit, and it was a great place to learn and develop as an artist.

 

 

TNC: What films and which directors inspire your personal work and why?

Oliver: I really admire the works of Larry Fessenden and Woody Allen, that's an odd match. The two largest influences on Hollow in particular were La Gloire de Mon Pere directed by Yves Robert, and the 1987 BBC version of My Family and Other Animals directed by Peter Barber-Fleming. La Gloire de Mon Pere has this wonderful opening title sequence that takes you slowly floating over the beautiful hills of the south of France, this is coupled with the calls of cicada's which have been turned into a rhythmic base for sequence's score. That rhythmic calling of the cicadas inspired the lush symphony of insect calls that makes up Hollow's soundscape. My Family and Other Animals is a BBC mini series based on Gerald Durrell's semi autobiographical book by the same title about his childhood on the Greek island of Corfu, it's filled with atmospheric and beautiful natural history photography, particularly of small life forms, insects, lizards, fish and such, similarly Hollow is peppered with close up cameos of the creatures I encountered as a kid growing up in rural Wisconsin.

 

 

TNC: Could you describe the genesis of your film Hollow and the concept behind it?

Oliver: I wanted to do something beautiful and rural, with a hint of horror. The initial idea idea I had that lead to Hollow was the image of a murdered girls body in the grass, covered in morning dew and insects, the current incarnation of the film slowly grew from that image. I have a deep love for the natural world, ghost stories, and the macabre, all the elements over time meshed together perfectly.

 

 

TNC: Congratulations on Hollow's acceptance into the 2012 Slamdance Film Festival. What is the background on the festival and what it is all about?

Oliver: Thank you! Slamdance from my understanding is the rebellious younger brother of Sundance, it was formed by a pair of filmmakers who were rejected by Sundance in the mid 90's, Slamdance takes more chances and is far less commercial than Sundance, it's also limited to films with budgets of under 1 million.

 

 

Hollow from Oliver Franklin Anderson on Vimeo.

Overlooked and Underappreciated: 2011 Music Videos Pt. 1

Here's a look at some of the overlooked and underappreciated music videos of 2011. From the bizarre kidnapping game in Cults' "Abduction", to Hourglass Sea's dysfunctional samurai family, to the haunting and emotionally charged masterpiece for Youth Lagoon's "Montana"; these 20 artists stretch their budgets in a big way to create breathtaking visuals that put the "Super Bass-es" of the world to shame. Even if this will forever be known as the year when the universe allowed "Friday" to become one of the highest viewed YouTube videos, we will still be able to fondly look back at some of these winners.

(In alphabetical order)

Chllngr "Ask For" from Haven

 

Com Truise "Broken Date" from Galactic Melt

 

Cults "Abducted" from Cults

 

Esben & the Witch "Warpath" from Violet Cries

 

Fleet Foxes "The Shrine/An Argument" from Helplessness Blues

 

Frank Ocean "Nocacane" from Nostalgia/Ultra mixtape

 

Grimes "Vanessa" from the Darkbloom split EP

 

Hourglass Sea "L.A. Lights"

 

Holy Other "Know Where" from With U

 

 

Lana Del Rey "Born to Die" from upcoming Born to Die

 

<iframe width="560" height="315" src="http://www.youtube.com/embed/HY9WUZZrTpw" frameborder="0" allowfullscreen></iframe>

Overlooked and Underappreciated: 2011 Music Videos Pt. 2

M83 "Midnight City" from Hurry Up, We're Dreaming


Memory Tapes "Yes I Know" from Player Piano

 

Mount Kimbie "Carbonated" from Crooks & Lovers

 

Sleigh Bells "Rill Rill" from Treats

 

 

Timber Timbre "Black Water" from Creep on Creepin' On

 

Warpaint "Warpaint" from The Fool

 

The Weeknd "The Knowing" from House of Balloons

 

Youth Lagoon "Montana" from The Year of Hibernation

 

Young Man "Enough" from Ideas of Distance

 

Zola Jesus "Vessel" from Conatus

Ice Cube and the Eames

Los Angeles is currently featuring a voluminous show that aligns pretty much all of the museums in the region. The show is called Pacific Standard Time and is described as, "an unprecedented collaboration of cultural institutions across Southern California coming together to celebrate the birth of L.A. art".

One stand out promotion of the Pacific Standard Time exposition is Ice Cube's homage to the design and architecture of Charles and Ray Eames. Take a look at the video and remember that the 110 has gangster traffic.

 

 

Shepard Fairey and the Occupy Movement

Recently, Obey Giant front man Shepard Fairey created a graphic in support of the Occupy movement. This graphic and his initial design description sparked a dialogue between Shepard and a representative from the Occupy movement. Subsequently, Shepard revised his original design. Below is a transcription of the dialogue and both versions of the poster design:

 

Original Design Description:

This image represents my support for the Occupy movement, a grassroots movement spawned to stand up against corruption, imbalance of power, and failure of our democracy to represent and help average Americans. On the other hand, as flawed as the system is, I see Obama as a potential ally of the Occupy movement if the energy of the movement is perceived as constructive, not destructive. I still see Obama as the closest thing to “a man on the inside” that we have presently. Obviously, just voting is not enough. We need to use all of our tools to help us achieve our goals and ideals. However, I think idealism and realism need to exist hand in hand. Change is not about one election, one rally, one leader, it is about a constant dedication to progress and a constant push in the right direction. Let’s be the people doing the right thing as outsiders and simultaneously push the insiders to do the right thing for the people. I’m still trying to work out copyright issues I may face with this image, but feel free to share it and stay tuned…

-Shepard Fairey

 

Original Design: V1

 

Response from the Occupy Movement:

Shepard,

The design is brilliant and powerful on many levels. I’m sure many people will love it. I don’t know if you know the history and evolution of the OWS 99% movement, but a core subgroup within Anonymous played a significant role, so to see that you used the V mask is very fitting. That being said, if it is not too late, we would like to make suggestions that we believe will make the design much more broadly accepted within the movement. You’re the artistic genius, so take what we say for whatever it’s worth to you.

Unfortunately, as it stands now, I myself and several other organizers cannot in any way be connected to this design. The 99% movement is wholly non-partisan and we have been repeatedly attacked as being a front for Obama’s 2012 re-election campaign. Our movement is about uniting people, from all different walks of life and all different political viewpoints, against the global financial elite who have bought control of our government through campaign finance, lobbying and the revolving door.

As Obama has raised more money from Wall Street than any other candidate in history, it would make us naive hypocrites to support him under present circumstances. I have written many investigative reports on our economic crisis, I know the situation very well from a policy perspective. All hope was lost with Obama as soon as he picked Tim Geithner as his Treasury Secretary. He also made Larry Summers his lead economic advisor and Bill Daley his Chief of Staff. He even supported the reconfirmation of the Bush-chosen Fed chairman Ben Bernanke. You cannot have a worse group of people when it comes to the economic destruction of the US. Geithner, Summers and Bernanke have made a career out of exploiting the 99%.

Some of us are of the opinion that Romney would be worse than Obama on some issues and many OWS supporters may end up voting for Obama over Romney. However, this movement is about empowering people to take actions themselves to fight for the structural change we urgently need. To reduce us to an Obama re-election campaign will not help anyone. Our political system is corrupt and broken. As naive as it may sound, we have to stop looking to leaders and we must be the change.

When you say that you “see Obama as a potential ally of the Occupy movement if the energy of the movement is perceived as constructive, not destructive.” That is a highly offensive and disrespectful comment. Everything we do is designed to be constructive. In the face of repeated police brutality, we have remained non-violent. We use the money that has been donated to us to feed people at our camps that don’t get food otherwise. We have medical professionals and psychologists who help people who can’t afford care. We had drug addicts directed to our camps by the police in attempts to make us look bad, and we have professional councilors treating them if they need or want help. We have put our bodies on the line in a peaceful non-violent manner so we can give voice to the voiceless. Our camps have become a place where people can air their grievances and engage in dialogue to find constructive ways out of the dire situation they are in. Of course the Fox News type outlets are going to work to create a false impression, but why would you feed into their propaganda framing?

As for the design, the fact that you put the 99% inside the Obama O is crossing a sacred line. While it definitely looks cool, whether intended or not, this sends a clear message that Obama is co-opting OWS. Just the fact that you are the person creating the design and using your iconic red, white and blue gives the Obama connection more than enough room to make your pro-Obama statement. Without the 99% being in his O, it would be a fair balance of interests, in my opinion. With the 99% being in his O, this sends a clear message that Obama is attempting to co-opt OWS and creates serious problems for the movement.

Also, given the fact that Obama’s HOPE is written out just as it was last time, it is again excessive and in my opinion weak to pleadingly address the president as hoping he is on our side. If you want to win over the movement in a genuine way, I would suggest saying something like “We Are Hope” and then underneath the word “Hope” you can really get some street cred by writing, “Expect Us.”

Obviously, this is your design and powerful statement, and you are brilliant in conveying your message. I’m sure you will find a large audience that will love it. Given my admiration and respect for you as an artist, I am conflicted in the fact that I cannot support or endorse this as it currently is. Depending on the intensity of the backlash that the movement endures in response to it, I sincerely hope that we can find ways to work together moving forward. I will do my best not to publicly comment on it and will work to advise other organizers to not speak out against it. Sorry for having to write these things, my every move has been under intense scrutiny. At the end of the day, I have great respect for you and your art.

 

Revised Design: V2

 

Shepard’s response:

I get everything you are saying. I don’t agree with all of it, but I appreciate it. I get that the Occupy movement is non-partisan. I see a conflict for you and the movement there. However, my poster is not in any way a re-elect Obama poster. I have zero contact with the Obama campaign. I am disappointed with many aspects of Obama’s presidency and I am far from an unconditional Obama supporter. The round logo I made is not Obama’s O logo. His O uses curved stripes and a white sun. The stripes in my 99% logo are straight. I saw my 99% logo as subverting his logo more than amplifying it. I wanted a patriotic frame for the 99% logo to assert that the Occupy movement IS patriotic. The use of the word HOPE is more saying that Occupy is the greatest Hope we now have, but it would be great if Occupy pushed Obama in the right direction. You may find any appeal to Obama to support Occupy as unrealistic, but I have always believed in working EVERY angle. I’ve called it the “inside/outside strategy” for many years. Outsider activism is where I come from, but outsider elitism is incredibly unhealthy because it excludes moderates.

I have no interest in pandering to Obama. I see my image as a reminder to him that he has alienated his populist progressive supporters. If the threat of not being re-elected pushes Obama to do more to reform Wall St. etc… then I’m all for that! I’m also terrified of a Republican taking office. I voted for Nader in 2000 and if people like me won Bush that election I’ll regret that forever. I did not make the Occupy HOPE image to become THE image for Occupy. I believe very strongly in the Occupy movement, but I’m looking more at the politics of the entire nation than the politics within Occupy. I’m sure I may not be extreme enough for some people. When I said “if the movement is perceived as constructive, not destructive” I mean exactly that… PERCEIVED. I am trying to be realistic, not offensive. I have written that the movement is intelligent, civilized, peaceful, and tolerant in stark contrast to the Tea Party, but I have also been to Occupy LA and NY and seen and heard some views that I think undermine the movement’s potential to resonate. Some of the loudest people are putting across anti-capitalist, anti-government messages. I have plenty of issues with capitalist greed and our government’s policies, but constructive phrasing about reform is essential. I’m not feeding into Fox’s framing, I’ve witnessed this myself. I’m all for freedom of speech, but I desperately want the movement to succeed!

Most of the rhetoric is not too radical for me, but I’m well aware that much of the country is scared and cautious. I know that you and the organizers are very intelligent, dedicated, and engaged. I meant no disrespect to 98% of the 99%. I’m incredibly frustrated too, but evolution, much less “revolution”, scares most people. I want progress to be made! I made a series of images calling out villains and issues (I actually made these several months before Occupy started): http://obeygiant.com/support-the-occupy-movement-free-downloads I donate money and art to rootstrikers.org. I want campaign finance reform ASAP. We may disagree on some things. I want to support Occupy as much as I can without undermining its potential to move things in the right direction. I have tons of issues with the two-party system, but I don’t see it being dismantled any time soon. I want reform to happen and I’m trying to look at realistic routes to ideal outcomes. I’m very open to hearing suggestions from you, and I’d also be into sharing this dialogue publicly if you are open to that. I think it could be valuable to people to hear a thoughtful discussion of these issues. Let me know.

-Shepard

Palm Sized Analog: the Korg Monotron Trifecta

 

In our current digital age, there remains a large population of individuals that posses a specific nostalgia for the richer sound of analog music. They also have a certain love for the classic designs and the feel of vintage analog music making machines.

With this in mind, Korg has released three hand held analog devices: the monotron, the monotron duo, and the monotron delay. Korg initially released the monotron some time ago, but recently rounded out the trio with the duo and delay. Each of the hand held, battery powered synthesizers feature a ribbon keyboard, five knobs, and a single switch. Take a look at the videos below showing off the features of each of the synths.  

 

 

 

Referenced from: I have Synth

Nightsprout Interview: Web Concept Creators

I first met Jason Bishop in design school when we studied Industrial Design together at Georgia Tech. We went on to both work as student interns for the campus research center CATEA (the Center for Assistive Technology and Environmental Access). CATEA focuses their efforts on developing assistive products and technologies for individuals with functional limitations.

Although Jason freelanced in web work beforehand, he began working in professional front end web development during his time at CATEA. This interest led him to pursue a career in web design and development after graduation. Recently, Jason has teamed up with his business partner, Mitchell Lane, and they decided to take their knowledge and experience to the next level to launch their own web concept firm. The new company is called Nightsprout and below documents my conversation with Jason about it.

 

Jason Bishop's Personal Site

 

?: We know each other from studying Industrial Design together at Georgia Tech, what factors brought you to a career in web development?

Jason: My education is in Industrial Design, so I've had a long-standing interest in design. I got interested in web design because it is a similar field (research, usability considerations, etc) but doesn't require you to jump through hoops designing a physical product often requires.

My first jobs out of college were with web development companies and I was exposed to the startup scene in Atlanta. Haven't looked back since. I really enjoy working for new operations where I have a lot of control over my work.


Jason's Sample Project 1

Jason's Sample Project 2

Jason's Sample Project 3

 

?: How did you and your business partner meet up and could you describe the resulting creation of Nightsprout?

Jason: We met working at the same company together. For some pieces of software, I served as the design lead with him functioning as developer. We worked really well together and our projects were really well received. We decided to take the relationship beyond that project and see what we would be capable of making.

Our first project was an experimental zombie game that integrated with FourSquare. It was a lot of fun and we thought the natural progression would be to form a business and see where that takes us. 

 

 

?: How would you describe the unique services offered by Nightsprout?

Jason: We are a boutique app development firm for clients and our own concepts. We do the entire app development process from start to finish, with specific foci in design and code. Some of the projects we handle include: creating custom web apps, creative (branding/collateral/etc), user interface/user experience/information architecture, etc.

 

?: So Nightsprout handles both the design and the coding areas of web development, correct?

Jason: Yes, we can do Ruby/Java/PHP and other stuff (of course HTML/CSS). We like to use rails if the need is a web app but we are flexible.

 

 

?: Are your ideal projects in the realm of corporate identity or conceptual and pushing the limits of technology?

Jason: We are somewhere in between the two. We are definitely not doing a corporate brochure sites at the moment, but we aren’t doing something purely conceptual either. Right now we are building web apps positioned in the SAAS space.

 

 

?: Could you expand on building web apps positioned in the SAAS space?

Jason: For people who don't know, SAAS stands for "software as a service". To simplify, this typically entails an up-front licensing fee to use the software, typically hosted in the cloud. One example of a company with a SAAS model is SalesForce.

With respect to Nightsprout, we basically do two things. First, we will help people or businesses interested in setting up a web property achieve their goals. This might include developing an app for them (and launching it), branding and social media campaigns, or other things. We can do it all.

The second part of Nightsprout, which we do in parallel, is to work on our SAAS projects. We're both familiar with how SAAS products are made and marketed so it is a natural thing for us to work on. Plus, it's really fun work. We get to "be our own clients" to determine what to build, and hopefully make some money as well.

 

 

?: Does nightsprout have plans to venture into other peripheral web design areas such as iPhone/iPad or Android apps?

Jason: We don't have anything specifically on the road map, but we have many ideas for different web apps we'd like to tackle though. Web apps could mean expanding into a lot of different areas, but technology wise we don't have a set path. We have an interest in working on iPhone/iPad and Android apps in the future.

 

Take a look at the Nightsprout website and contact them for any web development needs. The founders of the company Jason Bishop and Mitchell Lane's personal work can also be viewed online.

Opening Event for Warby Parker's Arrival in LA

 

Warby Parker is the innovative face fashion startup that began by offering stylish prescription eyewear with lenses for under one hundred dollars. Originally only offered online, Warby is augmenting their influence by offering glasses and their newly released sunglasses in retail stores and boutiques. Warby's latest collaboration is with the Confederacy in the Los Feliz neighborhood of Los Angeles.

The Confederacy is a unique boutique and gallery space located on Hollywood Boulevard. The store was developed by actor Danny Masterson and stylist Ilaria Urbinati. The opening reception for Warby and the Confederacy's collaboration will be held on Saturday, November 5th from 2-5pm.

EAMES: The Architect and The Painter

Charles and Ray Eames are two of the most synonymous names with design. Charles Eames, the architect, and Ray Eames, the painter, were a husband and wife team that revolutionized modern furniture design. They also made extremely important contributions to the realms of architecture, fine art, graphic design, film making, and photography.

 

 

First Run Features has created a new documentary, narrated by James Franco, about the iconic duo. The film will have a limited release in Los Angeles at the Laemmle Music Hall beginning November 18th. The list of releases in other cities can be viewed here. Below is the recently released trailor.

 

 

Los Angeles is the home to a significant amount of Eames artifacts including the Eames house, located in the Pacific Palisades area just north of Santa Monica, and the former Eames studio in Venice Beach. The Eames studio served as the creative epicenter for Charles and Ray for several decades and now houses the Los Angeles design office for Continuum. I attended a design mixer at this office several months ago. Additional images and information about the event can be viewed here.

 

Front door of Eames house. Photograph by John Morse, June 2003. Taken with a Canon Powershot S-110 digital camera in natural light. Perspective corrected using Adobe Photoshop software.


Former Eames studio. Now the location of the Los Angeles branch of Continuum Design Innovation.

Library of Congress' WPA Poster Archive 2

 

Earlier on I did a posting displaying a few of the items in the Library of Congress' WPA poster archives (they have made these posters images public record). These recent times of discontent, anger towards the establishment, and the horrifying unemployment rate made me think back to the depression era and the public works projects created by the government through the New Deal. This is an example of an iconic time period of American History that is not wildly far off from what is going on now.

The WPA stands for the Works Progress Administration and created almost eight million jobs between the years of 1935 and 1943. A great deal of the jobs established for the WPA (along side the ones that were aimed towards improving the country's infrastructure) were related to the arts, drama, and literacy. These programs birthed an immense amount of awesomely designed poster art that became very important to the history of graphic design. Although mostly due to printing constraints of the time, these minimal and powerful layouts get the message across in a simple way without being cluttered or unnecessary. These compositions are widely used for design inspiration purposes in current times.

I understand that there are current programs along these lines, but perhaps more aggressive Works Progress Administration programs like these from the past could help the people of today and spread creativity. Displayed are a few more examples of the WPA posters.

 

Capital Sunglasses Interview

Capital is a wildly unique American brand that designs and develops wood framed sunglasses outfitted with Carl Zeiss lenses. In an era that makes it difficult to track exactly where a product is manufactured, Capital hand makes all of their sunglasses and sources all of their woods in the United States. My intrigue in the company led me to contact Capital to further discuss their process, insight, and inspiration.

In the words of Capital: "We are a small group of guys who started out making wood sunglasses in Montana. We've got a bigger shop now but every pair of glasses we make spends hours in someone's hands before it leaves our shop. It's a lot of work but it's really fulfilling and we are happy to be doing it every day."


?: Could you describe the genesis of Capital and the inspiration behind its creation?

Sunglasses have become an extremely mass produced item and it has become sort of okay for everyone to be wearing the same few styles. If you went to a house party and saw someone wearing the same size shirt you had on, you'd probably feel weird. But if you saw someone that was wearing the same glasses that you had on, you wouldn't think twice. It bums me out that it happens all the time. But what's the difference? Why should it be okay to wear the same glasses and not the same shirt?

It is our goal to bring something to the table that other companies don't offer - a pair of glasses that manages to stand out without being loud or sacrificing class.

 

?: What is the inspiration behind Capital's designs and choices of wood for materials?

Designs: Most of our designs are based on vintage frames. We like to take the best designs from the past generations and tweak some curves or make them a bit larger to bring them up to date.

Materials: Making wood sunglasses is fun because there is no textbook for it. If you walk into a wood shop asking how to make sunglasses out of wood, you'll get some weird looks (trust me, I've had my share). So you have to guess and check until you find a way. We set out with two goals:

1) Nothing exotic, endangered, or from a rain forest. We're the only wood sunglasses company right now that's doing this. It's easy for people to say their wood comes from a sustainable source (such as a tree farm in a far away land) but, because it's hard to tell what really goes on at these farms, we decided we didn't want to use anything that could have possibly been from a rainforest and sold through a so called "sustainable tree farm". It's a bummer that this sort of thing happens but when there's money to be made, there are plenty of people willing to label some wood something that it's not for the sake of a few dollars.

2) Wood Sunglasses should be as functional as acetate or metal frames. This one seemed like a no-brainer. We are constantly working to improve the functionality of our sunglasses without sacrificing style.

 

?: What were some of the challenges behind manufacturing a product in American and locally sourcing your materials?

The traditional route for this sort of thing is to call a factory in China and do your best to describe what you want through a serious communications barrier. Then you have to wait 3 weeks to get a prototype that probably won't be too close to the vision you had.

We don't have to deal with any of that. We have our own private shop so if we have an idea for a new frame or innovation, we can have a prototype in a day. We can tweak the smallest things about how our glasses look or function in such a small amount of time so manufacturing in the USA is actually proving to be a huge advantage for us.

 

?: What are your thoughts on the future of manufacturing and do you think domestic manufacturing and local sourcing will become more prevalent?

We think the future of manufacturing isn't in the huge factories of today. The internet has allowed people to find friends with similar tastes anywhere in the world. This is a really exciting idea! It allows small niches to grow and find supporters, no matter how far away the individuals may be. We are proud to be a part of this movement and hope that more and more small companies take advantage of their niche followers and grow with us.

 

?: What does the future hold for Capital?

Right now things are changing really fast. All I can say for the time being is that we will keep releasing stand out frames but we've got some surprises in the pipeline too!

 

Take a look at Capital's website to view their unmatched styes.

THIS Gallery Hosts Peter Bjorn & John Art Show

 

THIS Los Angeles gallery, the Highland Park art space that brought us the Judgement Night Show, is hosting an exhibition featuring artwork by Jonas Torvestig. The event is brought to us by, and is featuring a DJ set from, Peter Bjorn and John. It is a celebration of Jonas Torvestig's collaboration with Peter Bjorn and John on the design of their newest album's cover art.

The opening reception and DJ exhibition will be held on Thursday, September 29th from 7PM - 11PM featuring complimentary PBR!

Kraftwerk's Kling Klang Machine No1

German electronica pioneers Kraftwerk have recently collaborated with Norman Fairbanks to develop an iPad/iPhone app called the Kling Klang Machine No1. The concept behind the music generator seems to be centered around the location of the user on the planet. Another aspect of this app that sets it apart is the fact that the Kling Klang Machine is constantly being fed updated data instead of being based on pre-programmed algorithms. These are the features:

1. World Time Zone Map: 24 hours automated music

2. Interactive Control: Bidirectional cross line: tempo and tune of sound; Zoom: room - sound – effect; Save: 2 memory locations for control settings; Reset: All settings back to default

3. MATRIX: Auto: Matrix sequence – variation after 16 steps; Loop: 16 step sequence in a loop; Clear: Clear matrix; Save: 2 memory locations for sequencer

4. MIXER: Direct access to all parameters through direct controls; Save: 2 memory locations for controller settings; Reset: All settings back to default

Take a look at the video and download it here for $8.99.

 

Documenting Cult Film Moments with Animated GIFs

The GIF, first created in the static format by CompuServe in 1987, emerged into animated prevalence in the ninetys with the introduction of Netscape Navigator 2.0 (remember the logo with the shooting stars). 

Recently, animated GIFs have been making a comeback in the form of cinemagraphs (still images with a minor animated element to create a dramatic effect). One cinemagraph artist, Gustaf Mantel, uses animated GIFs to capture epic film moments from directors such as Stanley Kubrick, David Lynch, The Coen Brothes, Fritz Lang, Danny Boyle, Wes Anderson, Quentin Tarantino, and Roman Polanski (to name a few). I was first introduced to this concept by Fast Co Design. Take a look at a few of my cult favorites.


Blue Velvet

Fargo

Fear and Loathing in Las Vegas

Lost Highway

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

The Big Lebowski

The Royal Tenenbaums

The Party

No Country for Old Men

Eraserhead

Pulp Fiction

Twin Peaks: Fire Walk with Me

Trainspotting

Metropolis

Ghostworld

Rushmore

Fahrenheit 451

Blade Runner

The Life Aquatic with Steve Zissou

Rosemary's Baby

A Clockwork Orange

Thomas Isaac's Hollywood Hobo Painting

 

Thomas Isaac is a local Los Angeles painter, friend, and fellow adventurer. He has completed his latest painting titled "hollywood-hobo wearing a thong, true-story-no-lie-ask-GINA". The piece measures 5 feet by 3 feet and Isaac describes it as an acrylic mess. The painting is inspired by the type of characters one can regularly observe on the streets of Hollywood. As a previous Hollywood resident, this painting makes total sense to me.

If you enjoy this piece, take a look at Isaac's website for more work samples and contact him for more details.

Real Life TRON Light Cycle

Florida based motorcycle builders, the Parker Brothers, have materialized the light cycle from TRON to bring it out of the Grid and into this world. This fully functioning and street legal light bike can be purchased for 55 thousand dollars through Hammacher Schlemmer. It is powered by a Suzuki 1000cc engine and features the engineering marvel of the hubless rim. Take a look at the video (especially the shots of the bike being driven at night).

 

 

Also take a peek at this updated online version of the TRON Light Cycle arcade game.

Urshuz Launch Party

Last Saturday I attended the event debuting Grant Delgatty's Urshuz brand. In an era where the norm of fashion is to immitate, Urshuz utilizes its unique modular design to innovate and push the boudaries of what is possible with footwear. The shoe's design allows the consumer to mix and match a variety of shoe uppers with an equally diverse selection of soles. 

The Urshuz launch party consisted of a demo area (where individuals could mix and match different styles and test out the Urshuz attachment system), a DJ playing tunes on the upper desk, tasty food, and excellent people. The hosting venue for the event was The Academy clothing boutique in Long Beach. In addition to their awesome apparal assortment; The Academy is decorated with mid-century antique furniture, electronics, and soft goods that are available for purchase.

Urshuz will be available for purchase on their website at the beginning of September. They will also be featured in several Urban Outfitters stores (for web purchase as well) and other assorted clothing boutiques in the United States and Canada. Take a look at the images from the event and pick up a pair of Urshuz.

 

Urshuz display inside The Academy

Shoe wall with Urshuz LEGO artwork

Aerial view of the event

Assortment of Urshuz uppers and soles

Demo table for assembling Urshuz

Examples of Urshuz packaging

More Urshuz

U-Rings used to attach uppers to soles are replaceable

U-Ring tool to attach uppers to soles is integrated into the sole

Quote by Grant

Me and Grant

Grant and his creation

Vintage California flag sold at The Academy

 

I would like to end with a quick message from Grant about the event and Urshuz:

"thanks to all those who came out and supported us at the launch!  I was very pleased with the turnout, and was encouraged with how much enthusiasm the brand received!  It's been a long road to get here, but I am excited to see what the future holds for Urshuz!  Cheers everyone!  G."

Urshuz Launch Party in Long Beach

 

In an earlier post, I mentioned that my previous Van's boss, Grant Delgatty, is launching his own footwear brand called Urshuz. The release of Urshuz is rapidly approaching so the Urshuz collective is throwing a launch party in Long Beach. The event will be held at The Academy clothing store on Saturday, August 13th. Come check it out for music, food, and good design.

 

Urshuz from ROS-B on Vimeo.